garage british invasion style band - Wild Honey Records – WH-053
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Panic Records 1996 PUNK Printed inner sleeve.
EX/EX
Electric Eye Records – EELP 018 gatefold sleeve - Proto-punk rock band from Colle Val d’Elsa (Siena), Italy, since 1985
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RECORD STORE DAY 2021 limited - edizione numerata - 180G vinile colorato
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Record Store Day 2021 (RSD): July, 17th, 2021- 25th Anniversary Reissue White, 180g vinyl, limited edition of 1000 copies, each one numbered on the back. Gatefold sleeve. Sticker on the front cover (in Italian): "Limited and numbered edition - Includes the Bonus Track Dammi La Mano Amore (Remix) - RECORD STORE DAY 2021 - WHITE, 180 GRAMS VINYL"
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RECORD STORE DAY LIMITED 2021 picture disc edizione limitata e numerata
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edizione numerata vinile rosso 180G
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edizione numerata 40° anniversario vinile giallo 180G
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edizione numerata vinile giallo 180G 50° anniversario
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edizione numerata vinile marmo
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Not On Label – Fontina 999 Formato: Vinyl, 12", 45 RPM, Limited Edition
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Shirak – SLN 3307 - piccolo strappo nella parte interna della copertina (restaurato)
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limited 6 numbered edition - vinile 180G naturale
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ristampa On Sale
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TVOR On Vinyl – GL 01/92 - italiana h/c punk
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Vox Pop – VP 14 12"
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2LP EMI – 2-54 1182153
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Ultima Spiaggia – ZPLS 34020 1977
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12" WEA – YZ 43T - the italian Sade (from Torino)
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300 copie numerate - Tax post Negazione - con digital download
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Record Kicks – RKX082LP - Limited edition of 1000 copies worldwide on clear vinyl. Ensi vocals on Stan Lee appears thanks to Juicy Music Ghemon vocals on Stan Lee appears thanks to Carosello Records / Artist First
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green vinyl / Musica Elettronica Viva (MEV) was begun one evening in the spring of 1966 by Allan Bryant, Alvin Curran, Jon Phetteplace, Carol Plantamura, Frederic Rzewski, Richard Teitelbaum and Ivan Vandor in a room in Rome overlooking the Pantheon. MEV’s music right from the start was also totally open, allowing all and everything to come in and seeking in every way to get out beyond the heartless conventions of contemporary music. Taking its cue from Tudor and Cage, MEV began sticking contact mics to anything that sounded and amplified their raw sounds: bed springs, sheets of glass, tin cans, rubber bands, toy pianos, sex vibrators, and assorted metal junk; a crushed old trumpet, cello and tenor sax kept us within musical credibility, while a home-made synthesizer of some 48 oscillators along with the first Moog synthesizer in Europe gave our otherwise neo-primitive sound an inimitable edge. In the name of the collectivity, the group abandoned both written scores and leadership and replaced them with improvisation and critical listening. Rehearsals and concerts were begun at the appropriate time by a kind of spontaneous combustion and continued until total exhaustion set in. It mattered little who played what when or how, but the fragile bond of human trust that linked us all in every moment remained unbroken. The music could go anywhere, gliding into self-regenerating unity or lurching into irrevocable chaos—both were valuable goals. In the general euphoria of the times, MEV thought it had re-invented music; in any case it had certainly rediscovered it. —Alvin Curran
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limitato e numerato - vinile fumé 180G (0976/3000)
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3LP gatefold cover - vinile bianco
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limited edition n. 407/500
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